Across the three brands of James Dunlop Textiles Group – Mokum, James Dunlop and Zepel, we are constantly developing and creating new and exciting products to be released. Due to the nature of the ever-evolving Textile Industry, we are continually updating our collections to match the current and upcoming trends. 

The Blue Scale is used for assessing the light fastness of printed or dyed fabrics and textiles.  
The scale graduates from light (1) to dark (8), the higher the rating, the better the resistance. A score of 1/8 is very poor, and 7/8 is exceptionally good.

Learn more about colour fastness here.

Please see our Social Responsiblity page for more in depth information.

Care Code symbols and definitions can be downloaded here.

All colours utilise quality dye stuffs and should give satisfactory service under normal conditions.

Colour matching to previous deliveries or sample swatches cannot be guaranteed.

A ‘pill’ or more commonly known as a bobble, fuzz ball, or lint ball is a small ball of fibres that form on the face of a piece of fabric.  It is caused by abrasion between two surfaces. Loose fibres have a natural tendency to move to the surface of a piece of fabric, where they are subject to friction, this causes the fibres to twist together into small balls  

Pilling is more noticeable on synthetic fibres.  This is mainly because natural fabrics shed loose fibres easily and less noticeably, while man-made fibres are extremely strong, so the pills are anchored strongly to the fabric.

Learn more about textile testing for pilling here.

Transfer pilling is when the pilling is a different colour to the main base fabric. This occurs when two fabrics have pilled together.  Clothing, throw rugs or cushions are normally the cause.

As pilling is not a fabric defect or fault it is not covered under warranty.

A Wynzenbeek test is an American abrasion test for upholstery fabrics, measured in double rubs, and created through a specified weight applied in a backwards and forwards motion, creating a 'double rub'.

Learn more about textile testing for abraision resistance here.

FR stands for Flame Retardant.  FR properties can be either inherent in the yarn or applied as a finish.  Inherent FR cannot be washed out and generally achieves a high certification for fire retardancy.  An after-market or solution finish can also achieve a good FR rating in the short term but may lessen over time depending upon how the fabric is treated.

The responsibility for attaining the appropriate FR certification is the role of the Specifier, as every project and location has a different requirement with varying context. See our FR products here. 

Martindale is a test used in Europe, the UK, Australia and New Zealand, for measuring the resistance to abrasion (rubs), as a means of assessing wearability in upholstery fabrics. It is created by applying a specific weight to the fabric, using a circular motion. Small samples of the fabric to be tested are mechanically rubbed against a standard abradant material and the number of cycles (rubs) is assessed at “endpoint”, i.e., when a number of threads are broken.

The number of Martindale rubs is recorded for your perusal on every fabric specification sheet.

As a rough rule of thumb:
Up to 12000 - Light use (occasional furniture)
13000-20000 - Residential
21000 and above - Commercial

Learn more about textile testing for abrasion resistance here

The minimum order size is 1 metre. 

Usage Codes can be downloaded here.

Symbol Definitions can be downloaded here.

Care for textiles and wallcoverings can be downloaded here.
Fibreguard - Antibacterial Factsheet can be downloaded here.
Fibreguard - Eco Standards Factsheet can be downloaded here.
Fibreguard Factsheet can be downloaded here.
Fibreguard - Outdoor Factsheet can be downloaded here.
FR-ONE - Sustainability can be downloaded here.
Introduction to FR-ONE Factsheet can be downloaded here.
OEKO-TEX Information can be downloaded here.

Fibreguard Pro Warranty can be downloaded here.
Fibreguard Warranty can be downloaded here.
Warranty (NZ & AU) - 2021 can be downloaded here.
Zepel Fibreguard Warranty can be downloaded here.
Zepel Warranty can be downloaded here.

Mélange yarn is a blend of two or more different coloured fibres to develop various shades in the yarn. Different ratio of fibres in the blend alters the uniqueness of spun mélange yarn.

Heathered yarn is spun using pre-dyed fibres. These fibres are blended together to give a particular look. (For example, black and white may be blended together to create a heathered yarn that is grey in color.) The term, heather, may also be used to describe the fabric made from heathered yarns.

Eyelash yarn is a type of novelty yarn. It is constructed with the use of a thread base, with several long strands spaced at even intervals. These strands jut out from the main strand at angles giving the appearance of an eyelash.

This effect is created in the finishing. Embossing rollers are engraved with a crepe pattern which imprints a crepe effect onto the fabric through heat and pressure. 

A pile fabric woven using chenille yarns, usually in the weft, to produce a fabric usually softer and less uniform appearance than velvet. The yarn is produced by binding short fibers (2-3 mm) into twisted yarns to form the distinctive appearance and handle.

Created by using any fibre, the Boucle yarn construction uses looped and drawn out yarn. It has a curly appearance and is derived from the French term “boucler”, meaning to curl or buckle into ringlets.

A glazed, plain weave fabric of cotton where the chintz finish is produced by calendaring. This provides more of a durable finish to the fabric. However, it must be noted that no cotton chintz finish is permanent. This will be progressively reduced after dry cleaning or completely removed after washing. 

A fabric usually of jacquard construction and usually self-coloured in which the pattern is produced by the contrasting luster or reflection created by warp and weft satin weaves.

A fabric produced by the Ikat method which originated in the Indonesia and Malaysia, where the design is produced by selective resist dyeing of the warp and/or weft yarns prior to weaving, to create the typical soft, geometric design.

Open work fabric usually with a ground of mesh or net on which patterns are worked either as the ground is made or at a later stage. The yarns are looped, twisted, or knotted to achieve the openness of the fabric and the pattern. 

Woven fabric where some warp yarns are made to diagonally cross other warp yarns between the picks by a special mechanism on the loom. This allows yarns that are widely spaced to be firmly held in place.

A double compound fabric with a quilted appearance sometimes accentuated using wadding threads.

Extremely fine manufacturing fibre or filament of 1 decitex or less. 

The effect moire describes a fabric which as been subjected to heat and heavy pressure by specially constructed rollers, to present a rippled or watermarked appearance. The effect is caused by the differential reflection from flattened and unflatten parts of the fabric.

A pattern upholstery fabric with areas of warp pile where the loops are left intact. (uncut moquette) or the loops have been cut by wires or blades (cut moquette).

A French term meaning shaded which is often used to describe a fabric in which the colours are graduated from light to dark, and often into stripes of varying shades. 

A generic term used to describe semi transparent fabrics such as voile, muslin, organza, and net. 

Suede is a type of leather with a napped finish, commonly used for jackets, shoes, shirts, purses, furniture, and other items. 

One of the oldest fabrics known to mankind, this is named after the Persian fabric “taftan”. A plain weave, closely woven, crisp fabric, smooth on both sides, with a typical crunchy handle. Traditionally made from silk, but now silk/ viscose and other silk mixtures, as well as polyester/ viscose. 

Originally a closely woven fabric in which coloured threads were inserted by hand to produce a figured pattern. Nowadays the term is more loosely used to describe fabrics in which the pattern is created by the use of two or more different types of yarn in each direction.

Originally a woolen fabric of 2/2 twill, woven in checks of various colours, and worn by Scottish clans, each having its own distinctive pattern. Now descriptive of a wider range of fabrics with this type of patterning. Tartans are sometimes plaids. 

French word for fabric, and now also implies fabric of a certain type, i.e. a plain weave, light to medium weight cotton.  

A pile fabric in which the pile is woven into the warp. The effect is produced in one of two ways; either by the weaving of loops which are cut as wires and withdrawn from each row, or effectively weaving two fabrics face-to-face; joined together by the pile thread and finally separated by a knife as the fabric comes off the loom. 

There are 2 common velvet constructions, V and W weaves.

'V' weave is where two layers of fabric with connecting threads are cut apart. Often 'V' woven velvets have a coating applied on the reverse side to hold the pile fibres in place. 

'W' weave, where additional warp threads are lifted over wires forming loops. These loops are then cut when the wires are withdrawn. A 'W' weave has a more secure pile and is a superior and more expensive cloth.

To find out the type of weave a velvet has draw out a single thread from the pile (near the selvage) and see whether it resembles a simple 'V' or a 'W' which has a kink in the middle.

Learn more about velvet here.

Vinyl is a man-made, non-woven plastic material, sometimes laminated onto a fabric backing. Vinyl coated fabrics are commonly used as upholstery covers. Often vinyl-coated fabrics are created to resemble leather.

Flat shots and in-situ imagery on our website are intended as a visual representation only. Designs are not 100% to scale and additionally, we do try represent colours accurately on-screen, however we cannot guarantee exact colour match due to variance in screen colour calibration. It is recommended that a sample be requested for colour and scale prior to any placement of orders.

Product stock holding is shown on the individual product page. 

* You must have a wholesale account and be logged into the website to view this information.

We are unable to show every design from our extensive range.

However, if you would like to contact us with a product name/design/number or idea of what you are looking for we can suggest products that fit that description.

Introduction to the James Dunlop website, basic features and how to navigate the site.

Tutorial on how to search for fabrics and products on the website.

How to login as a client to view additional website information that is not visible to non clients.

Please refer to our full terms and conditions here.

When your order is dispatched, you should receive an email which will include a link to track your order via the courier's website. You can also find this link when logged into your website trade account; select the appropriate invoice number, then"Track shipment" under shipping details to track and trace the delivery of your order. 

No we do not - James Dunlop Textiles are a wholesale supplier. Please contact your nearest retailer to specify our products.

Within two years of purchase James Dunlop Textiles will replace any fabric that is found to be faulty as a result of textile manufacturing defects and has been:

• Manufactured to industry standard practices and procedures.
• Properly maintained and professionally cleaned on a regular basis.
• Applied and/or used normally for its intended residential or single shift commercial installation.
• Protected from sunlight damage.
• Not subject to third party after treatment.

Warranties are extended to the invoiced purchaser only. Any claims must be made via the invoiced purchaser.

Indent stock is held at our European suppliers warehouses, so delivery schedules can take 2-3 weeks.

Whenever possible, orders are processed the same day as received. To ensure our fastest service please include fabric cuts.

Contact details for orders:

SYDNEY Phone: 02 9304 5900 Fax: 02 9669 3003
Email: [email protected]
MELBOURNE Phone: 03 9811 4100 Fax: 03 9813 2719
Email: [email protected]
BRISBANE Phone: 07 3620 4100 Fax: 07 3257 3522
Email: [email protected]
ADELAIDE Phone: 08 8332 8372 Fax: 08 8332 8229
Email: [email protected] 
PERTH Phone: 08 9284 2622 Fax: 08 9382 2519
Email: [email protected]

When your order is processed, a confirmation will be electronically transmitted. Please check it carefully to ensure all details are correct. Advise any errors immediately.

A $20 small order handling fee and freight costs applies to all deliveries under a value of $150.00 excl GST.

Should an item be temporarily unavailable, an acknowledgment confirming anticipated arrival will be issued.  If this later delivery is not acceptable, you must formally cancel your order.

All deliveries must be approved prior to manufacture for colour matching, handle and general suitability. Any possible claims will be subject to this clause.

Where deliveries are made to third parties, it is your responsibility to check that the correct fabric/wall covering is received. We strongly advise that a sample is sent to you from your third party for verification when goods are received.

Not all fabrics are rolled face in. If you are ordering a fabric that could be made up either side, we recommend you send a cutting to your workroom confirming the preferred face.

The international industry standard for acceptable flaws in roll stock is 5 flaws per 50m of fabric.

Please note James Dunlop Textiles adheres to this standard and will not accept returns that meet this criteria.

Proforma Accounts - Strictly net pricing. Goods will be dispatched after payment is received.

Trade Account - Payment by 20th of the month following purchase for credit approved customers. Overdue accounts subject to interest.

Prices are “Cash Prices” for settlement by cash/cheque or direct credit to our bank account. We reserve the right to adjust the price if payment is made by other means. We reserve the right to withhold the supply of goods unless these terms are met.

Please refer to our full terms and conditions here.

 The Customer shall not be entitled to return/cancel goods supplied by JDG except in the event that it has obtained the written consent of JDG agreement of JDG to do so.

In the event that JDG gives its agreement it shall be a term of the agreement that the Customer will pay all reasonable costs charged by JDG including freight costs and a surcharge of 30% of the invoices for the goods.

Please contact James Dunlop Textiles for an ‘Expressions of interest’ questionnaire that we can send/e-mail to you. After you have completed the questionnaire and returned it to us, it will be evaluated.

If it meets our criteria a James Dunlop representative will contact you and send you an ‘Account Application Form’ for you to complete and return.

Fabrics are supplied to trade customers on a wholesale only basis according to the following terms: 

• Approved Credit Account: Strictly net 30 days from statement date. 
• No Approved Credit Account: Proforma Account - In the absence of approved credit arrangements payment for all goods must be made prior to the release of goods for delivery. 
• We reserve the right to withhold supply of goods unless these terms have been met. 

It is not possible to cancel orders which have been especially imported by prior negotiation, including indent and international brand orders.

We are, however, able at times to cancel orders, provided the goods have not been cut or dispatched. James Dunlop Textiles cannot be held liable for goods supplied correctly to order and subsequently cancelled by the end purchaser. In some cases, there may be a ‘cut fee’ for cancelled orders (this is to cover the time taken to process the credit, inspect and manually add the stock back into the system). 

Our customer service team is here to help:

Freecall 0800 933 586 
[email protected]

In digital rendering, PBR stands for Physically Based Rendering (also known as Physically Based Shading or PBS). It is a modern method for creating photorealistic digital images and materials by simulating the actual physical laws of how light interacts with surfaces in the real world.  

Rendering is the technical term used to describe the automated process where the computer will generate a 2D image or interactive experience (e.g. in gaming) by calculating how lighting, materials and 3D objects which have been assembled in a scene, interact with each other. It is the last major step in the 3D content creation process.

A 3D model is a digital three-dimensional shape that typically represents an object, person, animal, vehicle or in our case furniture.

Digital materials replicate physical fabrics by capturing multiple layers of data—not just a single photo—to record texture, reflectivity and other surface qualities. These layers combine to form an accurate digital twin.