In Use - Project

Ebb-Dunedin

Chair in Vienna colour Brandy by James Dunlop

Chair in Vienna colour Brandy by James Dunlop

Brandy

James Dunlop

Located in Aotearoa New Zealand's South Island is the Ebb-Dunedin. The name’s provenance is grounded in stories of ancient Polynesian travellers who landed their waka on the reclaimed tidal flats of the Otago Harbour during the ebb tide, before stepping onto the Land of the Long White Cloud.

Since 2021 Ebb-Dunedin has welcomed guests and restaurant patrons inside its modernist architectural framework to experience a distinct sense of relaxed luxury. In addition to the 27 guestrooms and one suite, the building showcases over 40 works of art on its internal walls and one expansive, ethereal work on the exterior – a commission from local Ngai Tahu artist, Simon Kaan.

30 panels of digitally printed glass transform Kaan’s depiction of the heads of the Otago Harbour into the building’s façade. This expression of the land, sea, and sky is the recurring theme around which the graphics and interior colour palette were developed.

Inside, sheer curtains frame these exceptional harbour views and the reverse of Kaan’s meditative work. Girsu by Fr-One in the neutral green shades of Hemp and Limestone add to the ambiance of the rooms while providing the security of an inherently fire-retardant fabric.

Read more: Delicate, light, translucent | Sheers

Ebb-Dunedin is the Cazemier’s first foray into hotel ownership. To bring their vision to life they enlisted the expertise of Dunedin based architect Gary Todd, while Sydney based Shelley Indyk of Indyk Architects designed the interiors.

The client’s “loved hotels and went about visiting as many different modern hotels as possible. They wanted a modernist, fun, comfortable interior that was bespoke for Dunedin and for their hotel in particular. They wanted it to be a bit playful and elegant,” says Shelley.  

Curtains in Girsu FR colour Limestone by FR-One

Curtains in Girsu FR colour Limestone by FR-One

Limestone

FR-One

The narrative of the front of house and guestrooms in Ebb-Dunedin endeavours to enhance the architecture through an exploration of design, city life, and landscape. Indyk Architects were drawn to the Edwardian Gothic buildings constructed by European settlers in basalt and Oamaru stone with copper Verdigris roofscapes, which they discovered while exploring the city of Dunedin and the history of the site.

Fabrics such as Sateen by Casamance, St Moritz by Zepel, Ludo by FR-One, and Vienna by James Dunlop were specified to cover cushions, pillows, and upholstery throughout this boutique hotel. Chosen for their rich colours and luxurious tactility, shades of deep burgundy and bold magenta accompany honey and add an element of surprise to the restful, refreshing design.

The exterior artwork by Kaan not only influenced the graphic design of the hotel, but “was also a guide for a certain colouring in the palette of the standard rooms, in particular the eau de nil or aquiver colour that is also seen on the Verdigris of the copper grooves and the water at certain times of the day.” Green is considered nature’s neutral and is a soothing companion in a city squeezed between lush green hills and an expansive ocean.

Read article: Forecasting trends - Escapism

“Public and private spaces were to combine art, luxury, and innovation. The hotel café bar was to provide for hotel guests and the Dunedin community. Hotel guestrooms were to offer different levels of luxury with flexibility for private use with intimacy or openness … ‘Art’ walkways culminate to the north in public mezzanine lounges, with their own distinct character, created through choices of furniture and fabrics, allowing guests to entertain outside of their rooms,” says Shelley.

To complement and amplify the modernist architecture of the Ebb-Dunedin, a robust interior palette of quality materials with contemporary details was formulated. Modernist joinery and detailing link to the clean lines of the exterior, and the walls of the reception and café spaces are lined in an array of glossy green tiles, slabs of green stone, and timber joinery.

Much of the carpet and joinery within the public and private spaces was designed by Indyk Architects, including ‘wardrobe’ bedheads, timber shelving units with ‘reinterpreted’ tiered minibars, and independent wardrobes. Bold black and white terrazzo bathrooms are complete with bespoke sliding door systems, allowing them to open as a spatial extension of the room. Brass fittings and steel framed oak joinery with Verdigris highlights feature in guestrooms on levels 2 and 3, while indigo highlights feature in the Superior rooms of level 4.

The Ebb Hotel is an exercise in relaxed luxury, encouraging guests to “come as you are, go as you please.” 

 

Designer:

Shelly Indyk, Director of Indyk Architects

Architect:

Gary Todd of Gary Todd Architecture

Photographer:

Jeremy Hooper

 

Curtains in Palacio FR colour Lapis by James Dunlop

Curtains in Palacio FR colour Lapis by James Dunlop

Lapis

James Dunlop

Curtain in Jubilee FR colour Bronze by James Dunlop

Curtain in Jubilee FR colour Bronze by James Dunlop

Curtains in Kennedy FR colour Quarry by James Dunlop Essentials and chair in Vienna colour Brandy by James Dunlop

Curtains in Kennedy FR colour Quarry by James Dunlop Essentials and chair in Vienna colour Brandy by James Dunlop

Quarry

James Dunlop Essentials

Brandy

James Dunlop

Curtains in Kennedy FR colour Quarry by James Dunlop Essentials and chair in Vienna colour Brandy by James Dunlop

Curtains in Kennedy FR colour Quarry by James Dunlop Essentials and chair in Vienna colour Brandy by James Dunlop

Brandy

James Dunlop

Quarry

James Dunlop Essentials

Art walkways

Art walkways